After Abelardo Morell, another contemporary artist who actively uses the Camera Obscura as a tool is James McArdle. James is Associate Professor in the Image: Photography/Graphics at Deakin University.
His recent series ‘Evanescent’ is a series of pictures made with a lens and a black t-shirt forming a makeshift Camera Obscura, in which he projects an image of the tree canopy above down onto the micro-world of the forest floor. The results recapture the child-like joy to be had in the experience of optical devices, confusing ordinary spatial relations so that the macro and the micro become confused and conflated: ‘the world in a grain of sand’ to quote William Blake.
“In the steep, trackless locations in which I am making these images, my means are necessarily … makeshift; my camera and lens able to be carried in a backpack. The resultant project is not systematic but intuitive…
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